Party Out of Bounds! Eclectic Group's Sophomore Album The Equal of Its Smash DebutBoffo Encore: Surf, Pop, Dance, Kitsch, Cabaret, and Psychedelia Unite With Giddy Vocals and Ricky Wilson's Still-Underrated Guitar PlayingMastered on Mobile Fidelity's World-Renowned Mastering System and Pressed at RTI: 1980 Smash Now Possesses Jump-Out-of-Your-Seat SonicsThe B-52's Also Available on LP from Silver LabelParty out of bounds! Not only is this sentiment one of the B-52's directives on their ceaselessly fun sophomore album, it's one of the record's hit songs, and perfectly summarizes the spirit and intent behind this new-wave classic. Completely up to task in following up their kitschy debut, the B-52's step everything up a notch: Songwriting, humor, exaggeration, melodies, hooks, and group interplay. Wild Planet also finds the band embracing stronger psychedelic accents that seamlessly mesh with its lava-lamp colors and textures. What an album.Rollicking, rousing, and riotous, Wild Planet soars on vocal efforts put forth by the delightfully campy chanteuses Cindy Wilson and Kate Pierson, whose innocent girly tonalities wonderfully match up with Fred Schneider's effeminate deliveries and manic presentations. While the sheer exuberance and giddy nature of the music tends to make them an afterthought, the trio's harmonies are utterly amazing. Add in Ricky Wilson's propulsive beach-bound guitar riffs, random squealing synthesizers, and a surfeit of danceable rhythms, and you have nothing less than a 1980s masterpiece that, due to its optimistic vibes and buoyant grooves, only gets better with time.As for clever humor and quirky character? Everywhere. Mentions of an icebox, fruit punch, and surprise greetings kick off the defining ''Party Out of Bounds.'' ''Private Idaho'' is an instant mix-tape essential, sent up with declamatory refrains and insouciant beats. Not to be outdone, the B-52's tackle the subject of devilish possession on the witty ''Devil In My Car''